cockloft | what even is telecine | 00:11 |
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cockloft | and why is it such a pain to undo | 00:11 |
Zewia | they take the progressive video | 00:12 |
Zewia | split it into fields | 00:12 |
Zewia | and weave those fields together with an offset | 00:13 |
Zewia | you get something like cccnn | 00:13 |
Zewia | where c is a progressive frame and n is combed | 00:13 |
Zewia | the two 'nn' frames will have fields from different frames you can weave back together to recover the progressive stream | 00:13 |
Zewia | this leaves you with 1 dupe every 5 frames | 00:14 |
samaritan | like a puzzle, that also lost a few pieces at times... | 00:14 |
Zewia | so you have to delete those | 00:14 |
Zewia | now that sounds perfectly sane yeah? | 00:14 |
Zewia | the issue is when they edit the video after this process | 00:14 |
Zewia | cutting scenes may leave you with a completely interlaced field because the other field for it may have been cut off | 00:15 |
Zewia | you could have shit where they overlaid another scene ontop with a different pattern | 00:15 |
Zewia | etc | 00:15 |
cockloft | 00:15 | |
Zewia | but yeah | 00:17 |
Zewia | often times youre left with something thats like 95% perfectly recoverable | 00:17 |
Zewia | then theres 5% which you just have to deinterlace or throw away | 00:17 |
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